“… He preserves the plasticity of shapes, but only up to the marked limit. He barely deepens and removes the plane. In each case, explains what is important to him, and leaves only this, those. What he leaves is both emphatic and demanding and deserves emphasis…
… For each image, a full, deep, strong color mutes the base tone, and the others adjust to it. He often breaks the colors with a sash only to the hue, at most to the closely related genders. The concentration of its tones, its illusory power, fits exactly into the composition as a whole. He does not merely draw, color, but expresses and depicts his own world…
… A striking feature is some responsible seriousness, masculine moderation. His style is simplistic to the extreme possible, but at the same time avoids arbitrary distortions. In his case, the emphasis on abstraction serves to condense the pictorial experience and to grasp its essence; therefore it always remains within the limits of recognizability. It affects us with the natural balance and logic of its composition…”Dr. Viktor Julow
Alföld, 1966/4 Issue