“If we look at his world of themes and especially his picturesque, graphic expression, we can see that he arrived to his own style, different from everyone else, over the years, although the components of his formal language are not unknown. However, the way in which the pictorial world of the Égerházi work was constructed from the components is unique and original. An example of how different, sometimes contradictory elements can be combined into a harmonious unity, an autonomous aesthetic quality…
… He turned towards the Art Nouveau and was captivated by the decorative beauty of the Gödöllő school. And then, longing for a stronger abstraction, and instinctively or consciously, these decisions could hardly be clarified afterwards, he approached this undoubtedly more abstract mode of representation, and wrote the pages of a specially interpreted neo-Art Nouveau in Debrecen…
… He retained a certain decorativeness, the planar representation, and saved him from this experiment of the turn of the century for his own.“
Endre Bakó
Alföld, 1984 March issue